Chances are, if you’re a movie fan you’re familiar with Theodore Kim’s intricate pixel work. From the Sorting Hat in “Harry Potter and the Sorcerer’s Stone,” to the dancers’ flowing skirts in “Coco,” ...
When Edwin Catmull arrived at the University of Utah’s graphics lab as a grad student in 1970, its state-of-the-art monochrome monitors showed only blocky shapes made from polygons. He spent the next ...
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